SOSNA - Céline Hamelin
SOSNA is an invitation to immerse yourself in the adventure of the Trans-Siberian through the lens of Céline Hamelin, a journey that will transport you to unforgettable landscapes and allow you to explore the cultural richness that stretches along this legendary railway route.
From Red Square to the Forbidden City, the Trans-Siberian connects Moscow, Irkutsk, Lake Baikal, Ulan Bator, and the Mongolian steppes (aboard the Transmongol) and ends with a fast passage to Beijing.
Few texts, but 150 analog images (color and black and white), complemented by some illustrations crafted by Lucie Maréchal in rotring and watercolors, together bring a unique aesthetic to this project.
30x25cm format, 170g PEFC-certified paper, square glued spine sewed with edgeband, cardboard + textile cover, embossing, and gold marking
SOSNA is an invitation to immerse yourself in the adventure of the Trans-Siberian through the lens of Céline Hamelin, a journey that will transport you to unforgettable landscapes and allow you to explore the cultural richness that stretches along this legendary railway route.
From Red Square to the Forbidden City, the Trans-Siberian connects Moscow, Irkutsk, Lake Baikal, Ulan Bator, and the Mongolian steppes (aboard the Transmongol) and ends with a fast passage to Beijing.
Few texts, but 150 analog images (color and black and white), complemented by some illustrations crafted by Lucie Maréchal in rotring and watercolors, together bring a unique aesthetic to this project.
30x25cm format, 170g PEFC-certified paper, square glued spine sewed with edgeband, cardboard + textile cover, embossing, and gold marking
SOSNA is an invitation to immerse yourself in the adventure of the Trans-Siberian through the lens of Céline Hamelin, a journey that will transport you to unforgettable landscapes and allow you to explore the cultural richness that stretches along this legendary railway route.
From Red Square to the Forbidden City, the Trans-Siberian connects Moscow, Irkutsk, Lake Baikal, Ulan Bator, and the Mongolian steppes (aboard the Transmongol) and ends with a fast passage to Beijing.
Few texts, but 150 analog images (color and black and white), complemented by some illustrations crafted by Lucie Maréchal in rotring and watercolors, together bring a unique aesthetic to this project.
30x25cm format, 170g PEFC-certified paper, square glued spine sewed with edgeband, cardboard + textile cover, embossing, and gold marking